(Auto)biographical reports of writers and subterranean artistic-literary production
DOI:
https://doi.org/10.31892/rbpab2525-426X.2023.v8.n23.e1138Keywords:
Writer, (Auto)biographic research, Subterranean LiteraturesAbstract
This article aims to discuss circuits, media and literary identities, focusing on the identity of writer of young artists from Fortaleza (CE) whose literary work they make flows through alleys, streets and mouths, beyond the school canon. For such, we use an (auto)biographic approach so that it produces the role-playing of itself of two artists from Fortaleza and their relation with literature, accentuating their construction of themselves as de-legitimized writer for the official social instances. The results show the way two narrators twist, untwist and re-twist the concept of writer/literature from an intense, loving and religious relation with art beyond the market/legitimizer institutions of art, producing and making art run through the city. In conclusion, we can see that literature is alive in its practice, is alive and pulsing not only as consumption, but as production.
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