Vozes de paixão em Cantares de perda e predileção, de Hilda Hilst

Abstract

The present work aims to perform an interpretation of Cantares de perda e predileção, by Hilda Hilst, in order to establish relationships between poem and song as a method and metaphor for the conceptions of passion presented in her poems. In order to carry out this reading, the studies of Emil Staiger, Thomas Stearns Elliot and Octavio Paz about lyric poetry, with regard to musicality and poetic voice, are counted as a guide, intending to constitute an interpretive hypothesis of passion in four poems selected in the work of author.