Fabulations of the diaspora: analysis of possible dialogue between the novel "The standards" (1995), Aline França, and the comic "Black Panther: who is the Black Panther" (2014) screenwriter Reginald Hudlin and draftsman John Romita Jr

Abstract

For a long time Brazilian literature the dominant and privileged ideologies was linked. Thus, the majority of Brazilian literary productions proliferated stereotypes and myths that have contributed to the negative image of black reproduction and culture. However, being inversely to European ideologies, the black literature emerges as a way to (re) present, (re) name, (re) position and represent the black world, from a I annunciator talking not just another but also himself. From this scenario, this article aims to analyze the fabulations of the diaspora that reveal the desire to build another world, operating for utopias in that it centralizes the black man and his (s) culture (s), with a glance to what is laid and what could be. Therefore, builds on the comparative method for the preparation of possible dialogue between comics "Black Panther: who is the Black Panther" (2014), the Reginald Hudlin and John Romita Jr authors and the novel "Os estandartes" (1995), Aline France. Moreover, attempts to identify possible utopias present in society of Fortiafri and in the fictional kingdom of Wakanda, proposing a reflection on the reinvention of the (s) Africa (s) and historical reparation to all territories and black populations dispossessed by racism and intolerance throughout the world.