Spectacle, biopower, performativity

a cluster of regulatory powers in action in Joe Wright’s “Nosedive”

Autores

DOI:

https://doi.org/10.35499/tl.v17i2.17773

Palavras-chave:

Espetáculo, Biopoder, Performatividade, Nosedive, Black irror

Resumo

By employing the episode “Nosedive” by Joe Wright as the object of study, this article aims to demonstrate how the concepts of spectacle, biopower and gender performativity form a causal chain, with the society of the spectacle presenting itself as a favorable sociocultural context for the practice of biopower, which, in turn, would reinforce gender-specific technologies of power, thereby stiffening and restricting the possibilities for expression of dissident gender identities. When carried out on the materiality of the body, these control and surveillance strategies become intertwined, forming a cluster of regulatory powers that are difficult to differentiate.

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Biografia do Autor

Ana Paula Magalhaes da Silva, University of Alberta

Doutoranda em Cinema e Estudos Culturais na Universidade de Alberta, Canadá. Minha pesquisa se concentra no cinema brasileiro produzido durante a ditadura militar (1964-1985) e, em particular, como essa forma se relaciona com a representação da sexualidade, do desejo e questões de gênero. Possui vasta experiência apresentando trabalhos sobre o cinema de exploração no Brasil e atualmente está escrevendo um artigo que aborda o papel da sexualidade nas adaptações cinematográficas de clássicos da literatura brasileira na década de 1970.

Referências

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“NOSEDIVE.” Black Mirror, Series 3, Episode 1, 2016. Directed by Joe Wright, written by Charlie Brooker, Netflix.

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Publicado

2023-12-14

Como Citar

MAGALHAES DA SILVA, A. P. Spectacle, biopower, performativity: a cluster of regulatory powers in action in Joe Wright’s “Nosedive”. Tabuleiro de Letras, [S. l.], v. 17, n. 2, p. 264–276, 2023. DOI: 10.35499/tl.v17i2.17773. Disponível em: https://revistas.uneb.br/index.php/tabuleirodeletras/article/view/17773. Acesso em: 23 nov. 2024.

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