Primavera and the breaking of the seed

Primaverpotencies of a devir woman to trace other paths

Abstract

The following work aims to carry out an analysis of the female condition and gender roles supported by a post-structuralist theoretical line and studies of feminist critical theory about the history of western art, stressing, then, through an art research, the forces of subversive potency that act from the female body. The research counts on artistic experiences and experimentation within the development of works by the artist who writes it and even in processes of artistic development within the visual arts internship. Starting from the problem that the structures of colonization of the body and territories always seek ways to rewrite and engrave their history as a form of domination, the referent research understands that the history of art does not portray different behavior with the female body. In this way, the poetics of Primavera that is conceptualized here acts, then, as a force of woman devir that manifests itself ironically and opposed to authoritarian forms of power, absolute truths and devices of domination created according to the premise of a historically binary society, and misogynist. That said, it is considered that: by a spring force, the production of subjectivity linked to the disobedience of established forms and hybrid experimentation to the processes begins. Therefore, the work is designed to encompass and execute a contemporary conversation about the place of women in art, discovering itself as a process of territorialization and reterritorialization of assemblages.